BLACKLEAF BLOWS
Being knocked down by the wind inspires no confidence. Staggering to your feet like a punch drunk fighter you then have to move, maybe. This generally consists of short, drunk karate steps, doing the blind man crawl or bending into the gale and plodding with sled dog force.
This is what greeted me when I first pulled into the parking area at Blackleaf. Upon opening the car door, the handle was ripped from my hands and I was left with a tempest of lost tissue paper and forgotten beer cans.
Once I righted myself, shut the door behind me and grasped a weary but stout tree, then I was able to take in the view that made me forget all else. After a short but vigorous crawl I was happily climbing like a lost kite at the cliffs base.
Blackleaf canyon rises out of the high plains like a mighty citadel gaurding the nearly impenetrable Rocky Mountain Front in northern
If you do venture here and make your way past the small cow town of Choteau
CHERT HAPPENS
You’ll soon find out that the wind blows almost constantly here but when you feel the texture of uncommonly smearable limestone and see the fist sized chert the deafening wind will sound like sweet nothings from another time. Blackleaf is exceptionably climbable. The first few hundred feet generally consist of bullet proof and gritty grey limestone accentuated by rusty red and black chert. This chert resulted millions of years ago when sea corals and sponges died, their death results in your pleasure, don’t get too sad as you pull on a perfectly preserved seashells or other fossils, remember life is a circle someday you might be a hold.
The chert ranges in size from Moms school lunch sandwiches, to garden variety sub’s, and even to footlongs and beyond. On the upper pitches the chert usually thins out a bit and is replaced by drip pockets, super textured slopers and the occasional pinch. But always, just when you need it the most, chert will magically appear.
Adventurous climbers have been tackling the loose chimneys and gravelly gullies of the area for decades. But the first time I heard anything about the place was in 1998 when a friend told me I had to check out Blackleaf. He claimed that routes could be bolted with no cleaning and were ripe for the taking however he was somewhat creative with his description of a climbing nirvana and only casually mentioned the wind.
I had been bolting roadside routes with a twenty dollar craftsmen drill and a borrowed generator for a few years and thought the time had come to lose the extension cord and try batteries. Blackleaf was the perfect place to try out my new toy.
On our first trip I woke with puke tainted breath in the early, early morning. I had spent the night freaking out, fighting gigantic waves of panic and generally melting down in the back of my truck. I was there with the “The Old Man” who, par for the course, was eager to check out the high-angle face climbing potential of Blackleaf. This self-imposed moniker describes arguably the most prolific rock climber and route developer to ever call
Hiking up the backside and rappelling in from the top hoping you were near the line that you visualized and then finally putting the six pitches together like a gigantic puzzle both scared and intrigued me. But soon we had our first line to the top. Six pitches of bullet proof and varied climbing, a fun and proud line. But like all good things a price had to be paid and before it was over the old man and I would lose a dear friend.
DEATH TO THE MACHINE
This is how it went down. The old man recruited at least three of us for that first climb. So no one was surprised when he asked an old friend Sarge to help him bang in a few pitches.
Sarge is an ice climber, a carpenter, and an ex-marine so he had plenty of grit for the job. He often speaks with machine gun force and lobs fifty caliber expletives at will. Sarge is a tough dude but he does have a soft spot, his dogs. So it was that two men and two dogs started up the steep scree slopes at sunrise, working up the cliffs shoulder with packs laden with ropes, bolts, hangers, and my brand new drill.
The top of Blackleaf is a series of tree filled ledges linked by dirt gullies and steep wooded terrain. It was on one of these ledges that they began to set up there first rappel. One can imagine the scene, dogs sniffing at the cliffs edge, climbers sorting gear and ropes. Then the unthinkable happened, Chola, a particular frisky and unfettered mongrel, ventured dangerously close to the edge of the void. Sarge reached out to the suicidal mutt and in so doing dropped the rope. The old man reached for the rope and bumped the pack that contained my love, my soul mate, my drill.
Some feel that a tool is a lifeless, inanimate object, void of moods or personality. But this drill had charisma, it hammered away with such enthusiasm and was so sexy in its rubber suited, German kind of way that sometimes at night I’d put it on the couch next to me as I watched TV. Just seeing it shiny and new made me happier.
But the drill is no more. Whether it jumped or was pushed is still under investigation but allegedly, out of the corner of his eye, the old man saw his pack slip off the precarious ledge and plummet six hundred feet to the cold hard talus. Later, when its body was recovered, the only piece bigger than a few inches was the bit.
The old man frowned, Sarge swore, the dogs licked themselves and all four headed back down, slower, but with much less panache then my drill.
The next morning as I happily dreamed at home in bed the phone woke me. “This is the county coroner,” “I’d like to inform you of a death.” I sat bolt upright in bed, my parents were my first sickening thought. “Is a Mr. Bosch related to you?” the voice said. Bosch, who the heck is Bosch, I thought, and then it all came to me: the veiled but familiar voice with a hint of sarcasm in it, the snicker in the background. THE OLD MAN HAD KILLED MY DRILL.
FEAR AND LOATHING ON A TOP-ROPE
The next week we had a brand new drill and an extra battery and we really started working on the route. We linked up a huge grey slab peppered with chert to an overhanging half moon pitch that finally ended on a spacious ledge with beautiful steep rock jutting two hundred feet to the skyline.
So there we were, after a near sleepless night, the rookie and the mentor on the wall together again. The two hundred foot top-rope we set up was a bit exposed and the thought of all that sharp limestone between me and the anchors made my intestines whine like an old dog. I tentatively tied into the bungy cord. I cried my way up twenty feet of over my head climbing and began shaking like a meth addict. “Taaake,” I squeeled as I peeled off. Now I’m on a top-rope so I shouldn’t be scared right? That’s what I thought as I sailed past the belay anchors on the overstretched cord, “BOING!” I ended up face to face with the old man who held an expression that said, “I didn’t say this was going to be easy.” We then had a meaningful conversation about the art of the belay and how I would appreciate if there wasn’t quite so much penalty slack out. He politely apologized and said something about MY stretchy rope. I knew he was thinking, “I should of brought Sarge.”
The rest of my way rad, extreme, adrenaline junky top-rope went pretty well. After about forty feet of hard .11 climbing I exited out right on a super exposed 5.10 ramp that traversed about fifty feet and finally reached a precarious stance where I hammered in a belay anchor. Now it was the old mans turn.
I pulled and yanked on our tired rope as if my mom was on the other end. But soon the old man came to the crux just below the traversing ramp. I could barely hear his scream over the wind as a hold broke and he went on a seventy foot pendulum from Hades. The rope chattered along the Ginzu sharp ramp as both the old man and I cringed and held on tight, I for one shut my eyes so as not to see the white tuffs of nylon floating away in the breeze.
When I finally opened my eyes I was surprised to find the rope intact and the old man now directly below me dangling in space. After a few choice words of advice about slack in my belay we began the laborious job of wenching the old man up to my stance. This involved thrusting and clutching like a couple uncoordinated Bandaloupe dropouts for a half hour. We then had a spirited debate on whether or not to get off this cold wall. I wanted my mom but the old man would have to do. He took over marking and equipping the thrilling last pitch while I huddled on the tiny stance sucking my thumb but, after eight hours on the wall we finally had marked and bolted two pitches and the route was done.
With the newly replaced drill, one shredded rope, all the hardware, and my new found need for mind numbing prescription drugs the old man spent over a thousand bucks on this project. He called the route “It’s only Money”.
Blackleaf has been a gracious stage on which many characters have acted. A tall dark stranger stopped by for a year and put up a handful of six pitch routes and many single pitch masterpieces. Stop by and try “Climbing 101”. You’ll laugh as you pull on brown chert as big as loaves of bread imbedded perfectly into the gray limestone. Float up five pitches of 5.6-5.8 climbing that culminates in an exposed 5.9 pitch up an arête. The stranger also worked hard on some more strenuous endeavors. Self belayed and in a storm he put up a very continuous hard 5.11, “Rainy Days and Bad Belays”this beauty rewards endurance and stays tough right to the chains. He then partnered up with a soft spoken Rastafarian to complete a few long climbs with cruxes way up in the air. Try Bodhisattva, with its 5.12 sixth pitch up a super exposed Budha belly it will leave even the hard people feeling a bit soft.
The old man is still at it, he’s put up some of the more user friendly routes on the rock. “Homeboys on soy” is a steep slab that always has me asking, “am I going to fall off a 5.9 today?” With its short, well protected 5.11 crux and spacious grassy belay ledges, Homeboys is a must do for the traveling climber and don’t forget to bring some gear for its short but impeccable 5.9 finger crack .
The old man and the stranger also teamed up for “Zen and the Art of Bolting”. When you pull the airy 5.11 second pitch, you’ll be rewarded with two impeccable 5.10 pitches, the second of which is an overhung jug haul. I’ll buy you a beer if you don’t giggle all the way up this beauty, oh, by the way, after you stop laughing take your shoes off and belay your second from another grassy ledge.
With around thirty separate lines and sixty-five pitches, Blackleaf has something for everyone. You can craig at the cliffs base on many stellar one pitch routes, get a little air on the second and third pitch climbs, or really feel the exposure on the areas seven routes that climb five hundred feet or higher. There is also plenty of variety in grades and styles of climbs with a handful of pitches at every grade from 5.8 to 5.12, with most in the 5.9 to 5.11 range. The chert bands on the central wall can be somewhat crimpy but intermixed are overhung jug hauls in the 5.10 range. Recently we have found on the west end, rock that is devious in nature and almost void of chert. We dubbed this the “Prozac Area.” Be sure to bring your favorite mind elixir.
My hands sweat in anticipation as I write this, although I climbed at Blackleaf just yesterday. Fall is here with winter rolling in too fast and the north facing wall will lie dormant for six months. But in the spring when the streams run happily down the valley and the grizzly bears wake up, brightly clothed climbers will dot the wall like wildflowers. Whether you bring your drill and your imagination, or your slippers and quick-draws, I hope to see you soon at Blackleaf.